Abstract Panel


Authors Information
SequenceTypeName TitleFirst NameLast NameDepartmentInstitute / Affiliation
1 Author Prof. Lidia Guzy Study of Religions Department University College Cork
Abstract Information
TrackID
:
IUAES23_ABS_Q2742
Abstract Theme
:
P045 - Eco-Cosmology, Indigenous Worldview and Sustainable Development Discourse
Abstract Title
:
Shamanic practices and the sacred grove – eco-cosmological examples from Koraput, Odisha, India
Short Abstract
:
With the ecological destruction most valuable local knowledge resources and eco-cosmological worldviews disappear and have to adopt to dramatic landscape changes. These worldviews and local knowledge systems transmitted through ecstatic songs, shamanic dreams, and ecological ritual practices however could be a key for finding local and global solutions for a sustainable local and global world of cultural and eco-biological diversity and mutuality. In this paper, I argue that cultural change seemingly endangering an eco-cosmological worldview has an enormous paradoxical power of cultural resilience. The spread of the new ascetic religion in Koraput—where a high percentage of the total population are of indigenous/tribal/ origin —might exemplify processes of social and religious change and continuity relevant for the whole of indigenous/Adivasi India. By reference to selected records of ecstatic song compositions, the paper illustrates some data from an “ethnography of song” where I witnessed over a hundred of ecstatic song séances of Alekh gurumai, the ritual specialists/shaman of the new religion and the traditional shamanic mediumship. The presentation of some extracts of this work intends to illustrate the oral creativity and resilience of local cultures.
Long Abstract
:

Trees and the sacred grove (hundi) play a primordial role in the perseverance and persistence of shamanic ecocosmologies of the Desya (local Adivasi people) of Koraput region in Odisha/ India.

Mahima Dharma in Koraput is known as Alekh dharma or as “Alekhs.” Alekh-s wear gerua-colored clothes; worship the God Mahima Alekh and the earth goddess Basmati or Basudha. Alekhs use a symbolic code in their dress. The color of their clothes (gerua) is the same as the color of the red anthills, local manifestations of the earth goddess. A symbolic identification with the goddess makes Alekh-s as holy as the earth. Alekh specialists become ecstatic Alekh gurumai and, as such, capable of divine communication when they during ritual festivities might climb on trees while in trance. As oracles, as husbands, or wives of the earth goddess or other male and female Hindu deities, Alekh gurumai become virtuoso singers of the Divine.

The new ascetic tradition in indigenous contexts of Koraput has a twofold profile. On the one hand, it consists of Alekhs, the common converts representing a new systematized abstinent and vegetarian conduct of life. On the other hand, it is characterized by the Alekh gurumai, the

ecstatic mediating shamans and virtuoso singers of the Divine demonstrating the continuity of the non-systematized value of religious ecstasy within an eco-cosmological worldview. Alekh gurumai represent ritual specialists, shamans, and mediators perpetuating the traditional value of ecstasy and shamanic negotiation amidst this eco-cosmological world.

This eco-cosmology relies on the meditating voices of the shamans and their capacity to connect with the other world represented in the spiritual connectedness with the sacred sphere of the sacred grove with its sacred trees.

Abstract Keywords
:
Eco-cosmology, shamanism, sacred grove, sacred trees, Koraput, Odisha